Sure, they could have milked Jailbreak for a couple years before even thinking about a follow-up, but Lynott was burning with ideas, brought on by a bout of hepatitis that forced him off the road and landed him in the hospital. An oddity to be sure, it nevertheless showed that the band wasn’t about to rest of their hard rockin’ laurels. Of course, later that year, Lizzy made a left turn with Johnny The Fox. The added extras, depending on which version you get, add some flourishes fans and freaks will relish, but as a stand-alone, Jailbreak still dents the fenders, sounding every bit as fresh and biting as it did in 1976. Indeed, they help in defining the band’s broad palette - edgy guitars, a pulsating rhythm, added instrumentation when and where needed, and Lynott’s sensitivity to the craft of a song, perhaps owing more to the likes of Van Morrison and Bruce Springsteen than other hard rock mavens of the day. The anomaly of songs like “Romeo And The Lonely Girl,” “Running Back” (dominated by a lilting Fender Rhodes over jangling guitars, a saxophone, a Hammond organ and a few, scattered handclaps) and the ever-so-forgiving “Cowboy Song” introduce a sophisticated flavor to the record. After “The Boys Are Back In Town” baited the thirsty hard rockin’ radiowaves with a hook, line and sinker that took it to Number 12 on Billboard’s Hot 100, the title track reaffirmed the band’s “tough guy” image and expanded even further on the “red-hot” power and majesty of the Irish-Scottish-American quartet. Not since Jimi Hendrix had audiences seen a black musician transform a rock groove into such a saucy splotch of R&B with a heavy bottom-end. Lynott was injecting his songs with poignant lyrics, and adding a soulful punch with his vocals.
#Thin lizzy jailbreak album how to
In all actuality, Thin Lizzy began to find their sound on 1975’s Fighting on Jailbreak, they learned how to refine that sound with an irresistible zing. To celebrate both albums’ 35th anniversary, Universal has packaged expanded reissues, each with second CDs loaded up with outtakes, alternates, tracks from two separate BBC sessions, and remixes from Gorham and Def Leppard vocalist Joe Elliott. Seven months later, Johnny the Fox, a difficult follow-up, came along and Thin Lizzy’s stock shot through the roof. There were loads of mid 70s hard rock bands plowing the fields and tightening the reins, and Lizzy rose to the occasion with the lethal two-lead-guitar attack of Scott Gorham and Brian Robertson, ably propelled by the vocals and bass of Phil Lynott, and given legs courtesy of the always-without-fail-in-the-pocket drums of Brian Downey. Jailbreak is a testament to that.It took a few albums to get it right, but when Thin Lizzy broke through with 1976’s Jailbreak and “The Boys Are Back In Town,” there was no turning back. If heavy rock has a tendency to wrestle each song to the ground with brute force, Thin Lizzy were uniquely capable of the quick kill, the knockout punch, graceful as a boxer or bullfighter. If Lynott's poetic pretensions sometimes seep through, most of the album shows off his effortless command of power and economy.
thanks to the omnipresent hit singles "Jailbreak" and "The Boys Are Back in Town." Arguably the band's finest, Jailbreak is simultaneously tough and touching, barbarous and balletic. Originally issued in 1976, Jailbreak is Thin Lizzy's sixth studio album and commercial breakthrough in the U.S.
Like artists such as Bruce Springsteen and Bob Dylan, Lynott was a poet of the downtrodden who helped break down racial stereotypes in rock and became one of the most influential front men in hard rock and heavy metal. Charged by the creative force of Phil Lynott, legendary Irish hard-rockers Thin Lizzy combined working class romanticism and Irish folk law with piercing dual-guitar lines.
0 kommentar(er)
